30.3.14

ALBUM REVIEW - Foster The People 'Supermodel'



Foster the People: Supermodel
‘A kaleidoscope of snapshots, mixing ‘pop’ with eclectic ‘indie jams’ and techno beats.’ If you asked me to describe this album in one sentence; that is what I would go with, this album is a collection of snapshots pasted together in an album. Although you would expect this to mean that the album makes for difficult listening due to it’s mixed and diverse choice of songs, it instead has created an album that changes and keeps you listening right to the end. So, with no more waiting, here is the review!
If you have listened to previous albums, Supermodel does seem to rest on the same template as ‘Torches.’ The genres of the songs seem to blend and mix perfectly creating a whirl of different songs emulating a number of different meanings based on different situations and contexts.  I’d describe the overall genre as euphoric pop and most of the tracks are the stereotypical mix of synths, pop melodies, guitar distortion; however a number of tracks escape this the first being ‘Fire Escape', a stripped back and acoustic style song that reminds me of summer. I can imagine sitting with a group of friends, listening to this song, sipping a chilled beer and laughing, absolute perfection. However many of the songs take on a deeper meaning. Songs range from being dependant on war and it’s effects and politics such as the effect of capitalism. One thing that didn’t sit quite right with me (in association with this) which was a shame was the song ‘Pseudologia, Fantastica.’ It is said to describe a war veteran who has returned to his family however he is suffering from PTSD. The problem with the song is that the uplifting use of instrumentation doesn’t quite fit with the dark tones and themes explored in the song and that is a shame as it has the potential to be a brilliant and standout song. However the album shows an improved development and I thought showed the maturity of the band through the themes that they ultimately have explored. These include the ‘A Beginner’s guide to Destroying The Moon.’ This hints at the dark side of Capitalism and the implications and the effect that this has on society. This is further shown in the use of synths and jagged instrumentation from the rhythm guitar. It seems that ‘Foster the People,’ have really, really, grown up and although the songs still hint at their indie beginnings, there appears to be a different side to the band that we haven’t really seen yet and I hope that the band continues to grow and develop in their songs and albums to come.
The lead song, (which no doubt will be, or has been rocking the charts) is ‘Coming of Age,’ and was pre-released before the rest of the album and was used as an opening to create a hype! Many have described it as resembling an early ‘Beach Boys,’ track. However this is definitely modernised with the use of synths that mix with the guitar and the lilting voice of the singer. The song is repetitive and jazzy and really sticks in your head; I am an avid ‘toe tapper’, and this one definitely got my feet tapping along to the beat. The song has a very summery vibe and does remind the listener of ‘Pumped up Kicks.’ Also if you’re a fan of ‘Vampire Weekend,’ this could easily pass for one of their songs, which is a good thing. The song is extremely catchy and is dreamy however it could be representing the change in the bands music and singing of the maturity that they have shown through this album. A second showpiece song is ‘Best Friend’ it has a strong beat, mixed with guitar riffs and descends into a riotous and wild mayhem of sounds. Lyrics include ‘Sometimes I swear I only dream in black and white.’ It is a fun and upbeat song that encourages the listener to jump about their bedroom using a hairbrush as a microphone! One song that I think slightly missed the beat was ‘Fire Escape.’ It is a syrupy song, which uses acoustic guitar, a choir chorus, and two glockenspiels. Although I was a fan of the song it is a little too gleeful and cheerful meaning that it doesn’t quite mesh with the rest of the noir style album. Lyrics include ‘I see the seasons change/All the young faces come and replace the dying ones.’ It’s not a badly written or produced song it just doesn’t appear to match the rest of the album and seems to be an attempt to re-create the hype that surrounded ‘Pumped Up Kicks, but it appears that it has somehow missed the mark which is a shame. Probably my favourite track on the album was the first song and that is ‘Are you what you want to be?’ It is a song that meshes cross-rhythms from the drums and the guitar with a background of ‘na, na, na’s.’ It is a brilliant song that pulls the listener in and makes them really listen to the lyrics! Perfect for casual easy listening!
Foster apparently said of the album that ‘Supermodel has no ‘monster,’ and what he means by this is that the album does not have the have a song that resembles or reciprocates the huge popularity of ‘Pumped up Kicks.’ But this doesn’t affect the overall collation of the album; it is a collection of snapshots that lead to an overall pleasing listen!

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